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Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.


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Kent du Pre has done such Paroles Chant Bateau De Papier focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have came out occasionally, however the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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Uchiyama Origami Crane Easy is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Comment Faire Un Avion En Papier Qui Vole Bien Longtemps to avoid the complexities of a model achieved exclusively by folding.


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In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has recently been used and one can be certain of the substance remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and we are approaching sculpture rather than Origami.


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The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to show the multi-layers Avion En Papier Simple Qui Vole Bien usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the pet and then brought with each other. The idea may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a quantity of potager of different sizes.


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In the most extreme mixtures of water and papers we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe most basic step from a single coloring is one side colored and one white or plain. A great package of modern Origami intrusions this colour difference. A new delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration
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occurs in Japanese papers which are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.




Fleur en papier


The trimming out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this Origami Easy Box kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. One of the most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.

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